The middle of the book is supposed to be enjoyable. (Or at least worthwhile reading, in some way or another.) There are a variety of reasons why these enjoyments can't be in the start. Foremost, the start lacks context. Another problem is that there can't be a setup. Or, put another way, there can be a setup, but it will be the start, and it will probably be boring.

I think one "enjoyable" thing in the middle of a book is being profound. Or at least saying something interesting. However, I would also say they have to be earned and a part of the story. So nothing at the start is going to work for me.

There is one exception. It can be called surprise, a twist, something unexpected, or a change in direction. It can be done poorly, but it can also be done well. And it's rare, but apparently it can fit into even a first sentence.

This starts out ponderous and ends up cynical.

That actually twists twice.

And at least two classic starting sentences, which are also long, end with a twist: Catcher in the Rye and A Tale of Two Cities.

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