DESCRIPTION

ugh. That's completely wrong.

PaG is the tools of writing. You use it to add life to your writing. It's the bones your ideas hang on. You use PaG to make your writing smooth and easy to correctly understand.

Like, when to use fragments, repetition, dashes, and semicolons . . . the intracacies of the word and . . . the hidden side of the comma . . . and on and on.

This book is written by an author, to help authors write better. It's about the new PaG, breaking the rules, and issues normally not considered in conventional PaG.

BETA?

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Shannon opened the diary and said, "Oh my God."

Unless Shannon is heavily sedated, this sentence is missing something. Life, I would say. To be more scholarly: The PaG (punctuation and grammar) does not support what the writer was trying to convey. With italics:

Shannon opened the diary and said, "Oh my God."

Much better. When you write a grammatically correct sentence, you are not done. You always have choices, and if you want to write well, you should know those choices. Most authors DO NOT know all of their choices.

Then you have to choose wisely. That's your job, but I want to help. This book is NOT about conventionally correct PaG -- it is about using PaG powerfully and effectively, to make your writing great.

Let me remove the dialogue tag and add an exclamation mark:

Shannon opened the diary. "Oh my God!"

Now I'm happy.

Did I mention that you have more choices than you realize? This is from Stephen King's Mr. Mercedes:

Oh . . . my . . . God!

That's the whole paragraph. I love how he italicized only one word. King is a brilliant technician and we should learn from him. This is from my book Emotions Girl.

"OH! MY! GOD! She's bleeding. She's bleeding on her desk. Get me out of here."

So that's three very different ways of writing Oh my God, and they all mean different things. This is Stephen King again (from Misery):

"OH MY GOD OH PAUL WHAT ARE YOU DOOOOOING?"

You can be like Stephen King and use PaG well. I hope you do that. I also hope you enjoy that. (I do.) And it will make you a better writer.

Some issues are less dramatic. Like whether or not this sentence keeps its comma:

He was an old man who fished alone in a skiff in the Gulf Stream, and he had gone eighty-four days now without taking a fish.

Take the comma out? Leave it in? Frankly, you don't give a damn?

Hemingway cared. This sentence – without the comma – is the first line from The Old Man and the Sea. With the comma, this sentence is grammatically correct.

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